The Dragons of Eden, by Lucy Hosking, more info here |
Among the aging hippies,
LED-addicted Burners, and baby-toting Generation X/Y/Zers at last
weekend's “Glow: A festival of fire and light”, the fan favorite
had to be the dragon. It polled well among those less prone to
caricature too.
The bus length shiny
silver body like a segmented wyrm built on top of a mobile home
chassis (and headed by a multifaceted glass ball where the driver
sits like the villain in the end-of-level robo-monster) was certainly
eye-catching when it came around the corner, but it was the seven
sharp-toothed dragon heads that really got your attention. As if that
wasn't enough, closer inspection revealed the open-ended propane
canisters lurking like tongues in each head's mouth. That really,
ahem, fired the imagination.
“Does the dragon breathe
fire?” asked wide-eyed children throughout the night. Parents
lifted speculative gazes to the heads, then ran worried looks over
the surrounding flora and fauna, all of which looked suddenly
flammable.
“I think so, honey.
Let's not stand right here, okay?”
Casey Gerstle, the Lightwalker |
Nervous parents edging
away from draconic destruction got help from the magnetic pull of
flickering flames, four-storey projections, and eerie sounds coming
from the crowd clustered in the courtyard nearby. I followed them
over.
Fire spun on brass pipes,
dragonflies cut from Volkswagens looked at me with hubcap eyes, and a
line of exuberant artists shot flames into the air on a surreal
arsenal of flame throwers. The crowd migrated between the attractions
brought together by the Museum of Art and History, joined by the
“Lightwalker”, who peered down with relentless amiability at
children, adults, and flocking photographers alike. And at an event designed to showcase the skills and work of Santa Cruz's resident contributors to the annual Burning Man phenomenon, there were as many cameras as flames.
Lucy Hosking playing Satan's Calliope |
Explosions back on the
street created a current of bodies to surround “Satan's Calliope”,
a Jetson's-style car, pyromaniacal pipe organ, and marvelous means of
musical mayhem, all in one. The same remarkable woman who made the
dragon created it, and this one she got to play with. Literally. It
was connected to a keyboard, and as her fingers tickled the ivories,
flames and explosions blared from the trumpets and pipes with screams
like the devil's bagpipes.
It was fantastic.
Some Dancetronauts observe, some boogie |
Flames flare and die, but
the sternum-popping bass of the Dancetronauts never dwindled. On
their bizarre Bowie-esque trailer and rising spaceship thingy, the
DJs stood in astronaut bodysuits while scantily clad go-go dancers
(is there any other type?) did their thing to the sides... It was
weird. Here were all these artists on one hand, and an instant neon
frat party on the other.
It all seemed slightly
scandalous until I passed one mother who stooped down, pointed her
child's attention to the booty-shaking and said “Look honey, those
are called go-go dancers.” Very educational evening. Besides, our
inner monkeys love bass, and the world's even more multifaceted than
the driver-chamber of the dragon-thing, where a succession of people
sat and waved their hands in front of the motion detectors that
snapped the heads' jaws open and closed.
Santa Cruz is a groovy
town but it knows its bedtime, and not long after 9:00 the
Dancetronauts played their last song...but there was one more act to
go. Samba music, dancing on stilts, burlesque choreography, fire
eating, and leather corsets. Maybe it was five acts.
Whatever it was, the
Samba Stilt Circus was incredible. The crowd gathered around and
four-thousand eyeballs could not look away.
I can't recall ever seeing
as large a group of humans in so good of a collective mood, grins and
shaking hips across the generations, and in the end, no one noticed
that the dragon heads never did spew their fire. Rest easy, moms.
And bring the kids back
tomorrow night, they're going to like Part 2 even more...
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